Paint It Black
by The Rolling Stones
Album: Aftermath
Released: 1966
Genre: Rock
Difficulty Analysis
Overall
IntermediateRhythm
IntermediateLead
IntermediateBass
BeginnerMusical Analysis
Key & Tonality
Song Structure
Understanding E minor:
E minor has a darker, more introspective character. The Aeolian (Natural Minor) with Harmonic Minor inflections mode creates tension and emotion. This key is perfect for expressing melancholy or aggressive themes in rock music.
Pro Tip: These keys utilize open strings on guitar, making them ideal for powerful, ringing chords. The open strings add natural sustain and harmonic richness.
Primary Chords Used
Scale Patterns in E minor
E natural minor
Notes: E - F# - G - A - B - C - D - E
Application: Primary tonal foundation for the chord progression and melodic framework
Fretboard Pattern
Chord Progressions
Main Progression
The verse is built on a simple but powerful two-chord alternation between Em and B7, with the dominant seventh chord borrowed from E harmonic minor creating dark, exotic tension
Theory Insight:
This progression creates a specific harmonic movement that defines the song's emotional character. Understanding the relationship between these chords helps in improvisation and songwriting.
Chord Shapes Used:
Em
B7
Harmonic Functions:
- Em (i):Tonic minor chord establishing the dark, urgent mood
- B7 (V7):Dominant seventh chord from E harmonic minor, creating strong pull back to Em
- D (VII):Subtonic adding harmonic variety in the chorus sections
Key Techniques
Fast Minor Key Strumming
IntermediateDriving eighth-note strumming pattern at 162 BPM alternating between Em and B7, requiring right-hand stamina and precise chord transitions at speed
Uses chords:
See chord diagrams in the Chord Reference section above
Progression:
Em - B7 - Em - B7 (driving 8th note rhythm)
Tips:
- • Keep the strumming arm loose and relaxed to maintain speed
- • Practice the Em to B7 change in isolation before adding the strumming pattern
- • Use a lighter pick gauge (0.60-0.73mm) for faster strumming comfort
- • Focus on the groove and feel rather than hitting every string perfectly
Sitar-Emulating Guitar Melody
IntermediateThe distinctive single-note guitar line that mimics the sitar melody heard on the original recording, using hammer-ons and the E harmonic minor scale for its exotic character
Uses chords:
See chord diagrams in the Chord Reference section above
Progression:
Melody over Em - B7 vamp
Tips:
- • Learn the E harmonic minor scale thoroughly before tackling this melody
- • Listen carefully to the original recording to match the phrasing and timing
- • Keep the tone clean or with very light overdrive for clarity
- • Practice at half speed to nail the exact note sequence before building tempo
Dynamic Chord Transitions
IntermediateThe expanded chord vocabulary in the chorus sections, moving through Em-D-A-B7 with smooth transitions and dynamic variation from the two-chord verse
Uses chords:
See chord diagrams in the Chord Reference section above
Progression:
Em - D - A - B7 (Chorus)
Tips:
- • Practice the D to A transition in isolation - it requires a full hand shape change
- • Anticipate each chord change by starting the finger movement slightly early
- • Maintain the driving eighth-note strumming through all changes
- • The dynamic increase into the chorus should feel natural, not forced
Practice Exercises
Scale and technique exercises in the key of E minor. Practice these patterns to build the skills needed for this song.
Intro
0:00-0:15Minor Pentatonic Scale Exercise
The song opens with the iconic sitar melody (originally played on an actual sitar by Brian Jones, now often covered on guitar) over the Em-B7 vamp, setting the dark, exotic tone
Minor Pentatonic Scale Exercise
- • The original features sitar, but guitar can emulate the melody line
- • Driving rhythm guitar enters almost immediately underneath
- • Establishes the driving tempo of 162 BPM from the start
Verse
0:15-0:50Chord Voicing Exercise
The verse features relentless driving eighth-note strumming alternating Em and B7, creating the urgent, almost frantic energy that defines the song
Chord Voicing Exercise
- • Continuous driving eighth-note strumming throughout
- • Two-chord vamp creates hypnotic, relentless energy
- • Dynamic level stays consistent to maintain the urgent mood
Chorus
0:50-1:15Dynamic Power Chord Exercise
The chorus expands the harmonic palette with a four-chord progression, adding D and A before resolving to B7 for a fuller, more dynamic sound
Dynamic Power Chord Exercise
- • Four-chord progression adds harmonic movement and variety
- • Dynamic increase from the verse level for chorus energy
- • Strumming pattern remains consistent through the chord changes
Instrumental Break
1:50-2:20Minor Pentatonic Scale Exercise
Returns to the sitar/guitar melody over the Em-B7 vamp, with the full band maintaining the driving rhythm underneath
Minor Pentatonic Scale Exercise
- • Guitar melody takes the spotlight over the rhythm section
- • Same harmonic minor melody as the intro with possible variations
- • Rhythm guitar maintains the driving eighth-note strumming
Outro
2:50-3:22Chord Voicing Exercise
The song drives to its conclusion with the full band at maximum intensity, repeating the verse vamp as the energy builds to a final decisive ending
Chord Voicing Exercise
- • Maximum intensity strumming with full dynamics
- • The urgency increases through the final repetitions
- • Clean ending rather than fade-out on the original recording
Equipment & Tone
Guitar
Recommended:
Pickup Type:
Single coils for the bright, cutting tone; acoustic with piezo for the rhythm part
Alternatives:
- • Any quality acoustic guitar for rhythm
- • Fender Stratocaster
- • Gibson ES-335 for the combined acoustic/electric tone
- • Epiphone Casino
Amplifier
Recommended:
Settings:
Gain: 3/10 (clean to very light overdrive)
Treble: 7/10 (bright, cutting tone)
Middle: 5/10
Bass: 4/10 (tight bottom end)
Presence: 7/10
Alternatives:
Effects
Distortion:
None to very light overdrive - the tone should be clean and cutting
Reverb:
Light spring reverb for a touch of ambience
Other:
No effects needed - the raw, driving sound is key to the song's energy
Learning Path
Getting Started with Paint It Black
Time Estimate: 2-3 weeks
- • Learn the open Em and B7 chord shapes
- • Practice basic strumming patterns at slow tempo (80-100 BPM)
- • Work on transitioning cleanly between Em and B7
- • Learn the open D and A chord shapes for the chorus
Building Speed and Adding the Melody
Time Estimate: 3-6 weeks
- • Increase strumming speed gradually from 100 to 140 BPM
- • Learn the E harmonic minor scale for the melody line
- • Practice the sitar-emulating guitar melody at slow tempo
- • Work on the full song structure including verse and chorus transitions
Full Speed Performance and Expression
Time Estimate: 6-10 weeks
- • Play the complete rhythm part at the original 162 BPM
- • Combine the melody and rhythm elements together
- • Develop stamina for the continuous driving strumming
- • Match the dynamics and energy shifts of the original recording
Practice Notes
Common Mistakes
- • Tensing up the strumming arm at the fast 162 BPM tempo, leading to fatigue
- • Sloppy B7 chord shape causing buzzing or muted strings
- • Losing the driving eighth-note rhythm during chord changes
- • Playing the melody line without the harmonic minor D# note, losing the exotic flavor
- • Not differentiating dynamics between verse and chorus sections
Practice Routine
- • Warm up with Em to B7 chord changes at 80 BPM for 5 minutes
- • Practice driving eighth-note strumming on Em only, building to 130+ BPM
- • Add the B7 chord change while maintaining strumming pattern at 120 BPM
- • Work on the melody line separately using E harmonic minor at slow tempo
- • Play along with the original recording once comfortable at 150+ BPM
Focus Areas
- • Right-hand strumming stamina and relaxation at high tempo
- • Clean Em to B7 transitions without breaking the strumming rhythm
- • Accurate E harmonic minor melody line with proper emphasis on D#
- • Dynamic contrast between verse (two-chord) and chorus (four-chord) sections
- • Maintaining absolutely steady tempo through the entire 3:22 duration
Metronome Work
- • Start strumming exercises at 80 BPM with eighth-note down-up pattern
- • Increase by 10 BPM per session while maintaining clean chord shapes
- • At 120 BPM, add the full Em-B7 chord change to the pattern
- • Practice the chorus chord changes (Em-D-A-B7) at 100 BPM before building speed
- • Target tempo is 162 BPM - prioritize consistent timing over speed