Cliffs of Dover
by Eric Johnson
Album: Ah Via Musicom
Released: 1990
Genre: Instrumental Rock
Difficulty Analysis
Overall
ExpertRhythm
AdvancedLead
ExpertBass
IntermediateMusical Analysis
Key & Tonality
Song Structure
Understanding G major:
G major has a bright, uplifting character typical of major keys. The Mixolydian / Major Pentatonic blend mode gives it a stable, resolved feeling. This key works well for anthemic rock songs and creates a powerful, confident mood.
Pro Tip: Power chords (5ths) work exceptionally well in this key for rock/metal, as they avoid the major/minor quality and focus on raw power.
Primary Chords Used
Scale Patterns in G major
G major pentatonic
Notes: G - A - B - D - E
Application: Foundation for the cascading melodic runs and main theme statements throughout the piece
Fretboard Pattern
Chord Progressions
Main Progression
Bright, uplifting progression anchoring the main melodic theme with strong diatonic movement in G major
Theory Insight:
The I-IV-V progression is the foundation of rock, blues, and countless other genres. The I chord (tonic) establishes home, IV (subdominant) creates movement, and V (dominant) builds tension that resolves back to I.
Chord Shapes Used:
G
C
D
Em
Harmonic Functions:
- G (I):Tonic center establishing bright major tonality and home base for melodic runs
- C (IV):Subdominant providing harmonic lift and contrast to the tonic
- D (V):Dominant creating forward motion and resolution tension back to G
Key Techniques
Hybrid Picking
ExpertCombining flatpick with middle and ring fingers to execute rapid cascading arpeggios and pentatonic runs that define the signature Cliffs of Dover sound
Uses chords:
See chord diagrams in the Chord Reference section above
Progression:
Pentatonic cascades over G - C - D - Em
Tips:
- • Start at 50% tempo (around 100 BPM) and build up incrementally
- • Focus on matching volume between picked and finger-plucked notes
- • Keep finger movements minimal - pluck from the knuckle, not the whole hand
- • Practice the cascading G pentatonic pattern in isolation before full song context
- • Use a clean amp setting to hear every note clearly during practice
Cascading Pentatonic Runs
ExpertRapid descending and ascending pentatonic scale patterns played across multiple string groups, creating the waterfall-like melodic effect that defines the main theme
Progression:
Runs over G major tonal center
Tips:
- • Memorize the pentatonic patterns as shapes, not individual notes
- • Use economy picking (directional picking) to minimize pick travel between strings
- • Let notes ring into each other slightly for the cascading waterfall effect
- • Practice with compression or light overdrive to hear sustain and note clarity
- • Record yourself and compare note evenness to the original recording
Legato Phrasing
AdvancedSmooth hammer-on and pull-off technique creating a violin-like sustain and fluidity, minimizing pick attack for seamless melodic lines
Progression:
Melodic lines over Em - C - G - D
Tips:
- • Develop left-hand finger independence with daily chromatic exercises
- • Use just enough gain to sustain notes without masking sloppy technique
- • Focus on making hammer-ons as loud as picked notes
- • Practice pull-offs with a slight downward flick for better volume
- • Work the B section melody slowly to internalize the phrasing and breath points
Practice Exercises
Scale and technique exercises in the key of G major. Practice these patterns to build the skills needed for this song.
Intro - Cascading Theme
0:00-0:38Major Pentatonic Scale Exercise
The iconic opening featuring rapid cascading pentatonic runs that establish the triumphant, soaring character of the piece with hybrid picking across multiple string groups
Major Pentatonic Scale Exercise
- • Cascading pentatonic runs using hybrid picking at full 204 BPM tempo
- • Three-note-per-string groupings create the signature waterfall effect
- • Clean tone with slight overdrive and stereo chorus for shimmer
Main Theme Statement
0:38-1:30Major Pentatonic Scale Exercise
The primary melodic theme presented with a mix of hybrid picking and legato phrasing, featuring the song's most recognizable melody over the I-IV-V-vi progression
Major Pentatonic Scale Exercise
- • Violin-like tone achieved through neck pickup and touch dynamics
- • Melodic phrases breathe with natural pauses between statements
- • Combines picked attack notes with legato hammer-on/pull-off passages
B Section - Lyrical Passage
1:30-2:25Major Pentatonic Scale Exercise
A more reflective section beginning on the relative minor, featuring extended legato lines and emotive bending with less rhythmic intensity
Major Pentatonic Scale Exercise
- • Shifts emotional tone to relative minor territory
- • Extended legato phrases with minimal picking for singing quality
- • Whole-step and half-step bends for expressive vocal-like inflections
Climactic Finale
2:25-3:53Major Pentatonic Scale Exercise
The triumphant return and escalation of the main theme, pushing the cascading runs to their most intense and technically demanding peak before the final resolution
Major Pentatonic Scale Exercise
- • Most technically demanding section with fastest cascading runs
- • Walking bass descent from G through F# to Em adds harmonic sophistication
- • Builds to climactic peak before resolving to final G major chord
Equipment & Tone
Guitar
Recommended:
Pickup Type:
Single-coil pickups - neck position for legato, bridge for brighter runs
Alternatives:
- • Fender American Professional II Stratocaster
- • Fender Eric Johnson Signature Stratocaster
- • Any high-quality Stratocaster with single-coil pickups
Amplifier
Recommended:
Settings:
Gain: 4-5 (light overdrive, not heavy distortion)
Treble: 7 (bright but not harsh)
Middle: 6 (present mids for note definition)
Bass: 4 (tight low end, not boomy)
Presence: 7 (airy top end for the violin-like tone)
Effects
Distortion:
Ibanez Tube Screamer TS808 - light gain boost for solo sustain
Reverb:
TC Electronic Stereo Chorus + natural amp reverb for shimmer
Other:
Stereo chorus is essential for the shimmering clean tone; use sparingly on drive sounds
Learning Path
Time Estimate: 4-8 weeks for foundational skills
- • Master G major pentatonic in the open position and 2nd position box
- • Learn the basic G-C-D-Em chord progression as open chords
- • Practice simple ascending/descending pentatonic runs at slow tempo
- • Work on basic hybrid picking: pick + middle finger coordination
Time Estimate: 3-6 months for connected position playing
- • Learn all five CAGED pentatonic positions in G major
- • Practice connecting adjacent positions with slides
- • Build hybrid picking speed with three-string arpeggio patterns
- • Learn the main theme melody at 50% speed with correct articulation
Time Estimate: 6-12 months for performance-ready execution
- • Master cascading runs at 75% tempo (around 150 BPM)
- • Develop legato strength for the B section melodic passages
- • Combine hybrid picking with legato within single phrases
- • Build stamina for the full 3:53 performance at tempo
- • Refine tone and dynamics to match the original recording
Practice Notes
Common Mistakes
- • Attempting to play at full 204 BPM speed before building proper technique
- • Using all downstrokes or alternate picking instead of hybrid picking for cascading runs
- • Neglecting the dynamic contrast between loud picked notes and softer legato passages
- • Playing with too much gain, masking sloppy note articulation in fast runs
- • Ignoring the musical phrasing and breathing points between melodic statements
Practice Routine
- • Warm up with G major pentatonic across all positions for 10 minutes
- • Hybrid picking coordination drill: pick + middle finger on adjacent strings for 10 minutes
- • Cascading run patterns at 60% speed with metronome for 15 minutes
- • Main theme melody practice focusing on dynamics and articulation for 15 minutes
- • Full section run-throughs at current comfortable speed for 10 minutes
Focus Areas
- • Hybrid picking coordination between flatpick and fingers
- • Pentatonic position connection and seamless shifting
- • Left-hand legato strength for hammer-ons and pull-offs
- • Dynamic control and tone production at high speed
- • Stamina building for sustained fast passages
Metronome Work
- • Start cascading runs at 100 BPM (roughly half speed)
- • Increase by 4-8 BPM increments when current tempo is clean and even
- • Practice main theme at 120 BPM focusing on articulation clarity
- • Target 75% speed (150 BPM) as first major milestone
- • Full tempo (204 BPM) is the final goal - do not rush to reach it