1979
by The Smashing Pumpkins
Difficulty Profile
Skill LevelOverall
IntermediateRhythm
IntermediateLead
IntermediateBass
BeginnerWhy "1979" Works Harmonically
Beyond standard guitar tabs and chord charts, discover the exact music theory mechanics, modal interchange, and voice leading choices that give The Smashing Pumpkins's classic its unforgettable emotional power.
Nostalgic Octave Riffs with Muted Strings and Suspended Dream-Pop Voicings
Billy Corgan crafted an unforgettable coming-of-age anthem using two-note octave grips on the 5th and 3rd strings (or 4th and 2nd strings) with the middle string carefully muted. Tuning down a half step and strumming through Emaj7 and Asus2 (sounding in Eb) produces an airy, melancholic drone that sounds simultaneously retro and modern.
Harmonic Progression (Roman Numerals)
Imaj7 - IVsus2 (Verse) | ii11 - Vadd11 - I - vi7 (Chorus)Step-by-Step Movement
- โขEmaj7 (Imaj7): The shimmering, bittersweet tonic with major 7th warmth.
- โขAsus2 (IVsus2): The floating subdominant sustaining the dreamy open treble chime.
- โขF#m11 (ii11): Lush, modern minor extension initiating the chorus harmonic ascent.
- โขBadd11 (Vadd11): Dominant chord softened with the suspended 4th/11th to avoid harsh resolution.
- โขC#m7 (vi7): Relative minor providing deep emotional grounding at the end of the chorus cycle.
Voice Leading & Counterpoint
- โบCorgan uses the octave shape to trace vocal-like melodies while allowing open strings to bleed into the sound.
- โบThe constant presence of the high B and E notes across every chord provides a unified sonic halo.
- โบThe relaxed, loop-based drum machine feel emphasizes the relaxed, reflective character of the chord changes.
Fretboard Mechanics
Tune down a half step (Eb Ab Db Gb Bb Eb). Keep your index finger lightly resting on the G string when fretting the D and B string octaves to eliminate unwanted open string noise.
Replace plain major and minor triads with maj7, sus2, and add11 chords to give standard pop-rock progressions a nostalgic, timeless indie aesthetic.
The concert pitch major key of the studio recording.
The chord shapes played relative to half-step down tuning.
The foundation for the shimmering major-seventh harmony.
Emaj7 defining the dreamy intro progression.
Asus2 and Badd11 voicings that soften harmonic cadences.
Musical Analysis
๐น Key & Tonality
โฑ๏ธ Song Structure
๐ก Understanding E major:
E major has a bright, uplifting character typical of major keys. The Wistful, coming-of-age E Ionian / Lydian dream-rock built on sliding octave shapes and ringing open B and high E drone strings mode gives it a stable, resolved feeling. This key works well for anthemic rock songs and creates a powerful, confident mood.
Underpins Billy Corgan's nostalgic octave melody and open-drone E major / Asus2 verse progression (sounding in Eb major due to half-step-down tuning)
Drives the wistful F#m11 - B - E - C#m chorus progression and bridge octave shifts
The harmonic character shaping E major
The harmonic character shaping E major
Understand major chord construction and voicings
Primary Chords Used
Scale Patterns in E major
E major
Notes: E - F# - G# - A - B - C# - D# - E
Application: Underpins Billy Corgan's nostalgic octave melody and open-drone E major / Asus2 verse progression (sounding in Eb major due to half-step-down tuning)
Interactive Fretboard Map
Chord Progressions & Movement
Main Progression
Alternates between a two-chord hypnotic verse loop (Emaj7 to Asus2 with sliding A-and-G-string octaves) and a sweeping chorus progression that keeps the top two strings open throughout.
๐ก Theory Insight:
This progression creates a specific harmonic movement that defines the song's emotional character. Understanding the relationship between these chords helps in improvisation and songwriting.
Chord Shapes In This Section:
Emaj7
Asus2
F#m11
Badd11
E
C#m7
Harmonic Functions & Roles:
- Emaj7 (Imaj7)Nostalgic major seventh tonic established by the low E bass and D# octave
- Asus2 (IVsus2)Open, airy subdominant chord that anchors the rapid descending octave run
- F#m11 & Badd11 (iiV)
- C#m7 (vi7)Relative minor chord grounding the end of each chorus line
Key Techniques
A-and-G-String Octave Sliding & Open Drone Chords
IntermediateFretting octave shapes on the 5th (A) and 3rd (G) strings while muting the middle D string and sliding rapidly down the E major scale degrees (frets 11-9-7-6-4-2)
Uses chords:
Progression:
Emaj7 - Asus2 | F#m11 - Badd11 - E - C#m7
Technique Tips:
- โขMaintain a fixed two-fret spacing between your index finger (A string) and ring/pinky finger (G string) as you slide down the neck
- โขLook ahead to your target fret (fret 2) rather than watching your fingers during the fast octave slide
- โขIn the chorus, let the open B and high E strings ring out on F#m11 (2-4-4-2-0-0), Badd11 (X-2-4-4-0-0), and C#m7 (X-4-6-6-0-0)
Practice Exercises
Scale and technique exercises in the key of E major. Switch instrument sounds (Acoustic Steel, Nylon, Clean Electric, Piano) and practice at your own tempo.
Intro & Verse Octave Riff
Main Verse Octave Riff
Billy Corgan's unmistakable Emaj7-to-Asus2 groove punctuated by the rapid descending octave run.
- โขMute the 4th (D) string cleanly with the underside of your index finger during the octaves
- โขLet the open low E string drone under the 6th/8th fret D# octave
- โขSlide smoothly down 11-9-7-6-4-2 on beats 3 and 4 of bar 2
Chorus ('Shakedown 1979')
Chorus Drone Progression
Dreamy chorus progression moving from F#m11 and Badd11 up to E and C#m7.
- โขKeep strings 1 and 2 open on every chord for a unified shoegaze shimmer
- โขStrum with a steady, propulsive eighth-note feel at 127 BPM
- โขEmphasize the bass root transitions cleanly
E Major Octave Scale Exercise
Octave Fretboard Mobility Drill
Isolated octave shifting drill ascending and descending the E major scale on the A and G strings.
- โขKeep your hand relaxed so the two-fret span stays consistent from fret 2 to fret 11
- โขCheck that the middle D string makes zero sound when you strum across strings 5, 4, and 3
- โขUse steady eighth-note strumming
Equipment & Tone Setup
๐ธ Guitar
Recommended Model:
Pickup Type:
Neck + Middle single-coil position for glassy verse chime; Bridge pickup for chorus drive
โก Amplifier & Settings
Recommended Amp:
Tone Stack Dial-In:
Gain: 4 (warm, compressed clean-to-crunch)
Treble: 6 (crisp octave string definition)
Middle: 6 (present alternative rock midrange)
Bass: 5 (tight low end)
Presence: 5 (balanced top end)
๐๏ธ Effects Pedals
Overdrive / Distortion:
Light tube overdrive or Electro-Harmonix Big Muff Pi (rolled back for bridge thickness)
Reverb / Delay:
Studio plate reverb
Modulation / Other:
Optical compressor for even octave sustain
Recommended Learning Path
Octave Shape & Open Asus2
โฑ๏ธ 1-2 weeks
- โขForm the 6th-fret A / 8th-fret G octave shape and practice muting the middle D string
- โขPractice switching from the Emaj7 octave shape to the open Asus2 chord (X-0-2-2-0-0)
- โขLearn the open-drone chorus chords: F#m11, Badd11, E, and C#m7
The Descending Octave Run
โฑ๏ธ 2-3 weeks
- โขMaster the descending octave slide (11 โ 9 โ 7 โ 6 โ 4 โ 2) slowly at 90 BPM
- โขConnect the Asus2 chord directly into the octave run without pausing on beat 3
- โขPlay the verse and chorus seamlessly at 127 BPM
Bridge Modulation & Full Studio Precision
โฑ๏ธ 3-4 weeks
- โขExecute the bridge modulation (E5 - C5 - A5 - B5) and octave melodies
- โขMaintain flawless D-string muting even while strumming aggressively at full tempo
- โขLayer the rhythm and octave parts with a looper pedal
Practice Notes & Routine
โ ๏ธ Common Mistakes to Avoid
- โขLetting the open D string ring out inside the octave shapes, creating a muddy cluster
- โขChanging the distance between the index and ring fingers while sliding down from fret 11 to fret 2
- โขStarting the descending octave run too late and missing beat 1 of the nextEmaj7 bar
โฑ๏ธTargeted Practice Routine
0/4 Completed (0%)Check off each segment during your session to track your practice progress:
- 5 minutes: Isolated octave shape D-string muting check across frets 2, 4, 6, 7, 9, and 11
- 5 minutes: Descending octave slide (11-9-7-6-4-2) looped with a metronome at 100 BPM โ 127 BPM
- 5 minutes: Chorus open-drone chord transitions (F#m11 โ Badd11 โ E โ C#m7)
- 5 minutes: Full song playthrough
๐ฏ Key Focus Areas
- โขConsistent two-fret octave hand frame
- โขClean index-finger muting of the 4th string
- โขRinging open B and high E strings during the chorus
โฑ๏ธ Metronome Drills
- โขStart at 95 BPM to ensure every octave position in the descending run is articulated clearly
- โขGradually increase to 127 BPM while keeping the strumming hand relaxed
- โขLock the Emaj7 downbeat directly to click 1 after the slide